讲述了一个男人被抢劫后在沙漠面对死亡却奇迹般找到水源幸免于难的故事。这是山姆·佩金法电影风格的一部西部片。

讲述了一个男人被抢劫后在沙漠面对死亡却奇迹般找到水源幸免于难的故事。这是山姆·佩金法电影风格的一部西部片。

梁百芬是城中的巨富，因家教极为严格，性格变得古板严肃，完全不懂生活情趣。有一次，百芬替朋友陆超当伴郎，结果把戒指弄丢了，幸亏乖巧的伴娘辛凤英帮他找回。不过婚礼结束后，两人就没了联系。百芬收到老同学寄来的一大叠当票，对方找他借钱，他把钱借出去后，将当票放进了口袋。百芬独自在公园散步时，拿出当票仔细查看，不料被风吹走，又是凤英帮他捡了回来。凤英误以为他生活穷困，打算帮他找工作。后来，凤英还把他介绍给自己的家人认识，从此百芬整个人都变得快乐起来。凤英一家都在他名下的百货公司和工厂工作，凤英给他找了个售货员的职位，他也搬进了凤英家。在闲聊中，百芬得知公司里一些高层职员有舞弊的情况。百芬有一次被高层斥责后被辞退，第二天他回到公司总部召开高层会议，还邀请了凤英一家人参加。这时他表明了自己的身份，宣布公司推行劳资两利计划。凤英一开始恼怒他故意隐瞒身份，最后被他的诚意打动，答应了他的求婚。

青年洪士毅是曾是一家俱乐部的门房替工不久后凭借自己的才华升任书记，他认识了贫困女子常小南，对她产生好感，一家歌舞团发现了小南的天赋劝她加入。洪士毅为了照顾小南的家人积劳成疾，此时小南已经看不起洪士毅转而与乐团的乐师王孙在一起，几个月后，小南已经成为了歌舞明星，银行的程行长看中了小南的美貌，他托付在一个俱乐部的洪士毅把自己介绍给小南，不久小南抛弃了王孙嫁给了程行长，程行长为了感激洪士毅的介绍，让他做了支行行长，但小南的骄横跋扈使洪士毅很伤心，他最终不能忍受辞去了支行行长的职务。

http://www.youtube.com/watch?v=dq7GMJH9qFc 4 min

“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

Spring 1939. The bishop of Banska Bystrica learns that the Antichrist was born in the village of Piargy, which had been buried by an avalanche a few days earlier.

A down-on-her luck prostitute embarks on a wild adventure that puts her in contact with the Mafia.

A surrealistic musical about the love between a woman and a talking photocopier in a patriarchal slave society. Beatrice is one of many women who work hard under the unfair boss, Mr Kättström. As time goes by, the love between Beatrice and the photocopier grows and together they decide to fight the injustices at their workplace.